Billy the Kid

Billy the Kid

American Folk Songs

& Ballads

Billy the Kid

Billy the Kid

by ~Traditional | The American Folk Experience

~Traditional 

I’ll sing you a true song of Billy the Kid,
I’ll sing of the desperate deeds that he did,
Way out in New Mexico, long long ago
When a man’s only chance was his own 44.

When Billy the Kid was a very young lad
In the old Silver City he went to the bad
Way out in the West with a gun in his hand
At the age of twelve years he first killed his man.

Fair Mexican maidens play guitars and sing
A song about Billy, the boy bandit king
How ere his young manhood had reached its sad end
He’d a notch on his pistol for twenty-one men.

‘Twas on the same night when poor Billy died
He said to his friends: “I am not satisfied.
There are twenty-one men I have put bullets through
And sheriff Pat Garrett must make twenty-two.”

Now this is how Billy the Kid met his fate,
The bright moon was shining, the hour was late
Shot down by Pat Garrett, who once was his friend
The young outlaw’s life had now come to its end.

There’s many a man with a face fine and fair
Who starts out in life with a chance to be square,
But just like poor Billy he wanders astray
And loses his life in the very same way.

If you have any more information to share about this song or helpful links, please post as a comment. Thanks for stopping by the site! ~John Fitz

I am indebted to the many friends who share my love of traditional songs and to the many scholars whose works are too many to include here. I am also incredibly grateful to the collector’s curators and collators of Wikipedia, Mudcat.org, MainlyNorfolk.info, and TheContemplator.com for their wise, thorough and informative contributions to the study of folk music. 

I share their research on my site with humility, thanks, and gratitude. Please cite their work accordingly with your own research. If you have any research or sites you would like to share on this site, please post in the comment box.  Thanks!

"The Ballad of Billy the Kid"
Single by Billy Joel
from the album Piano Man
B-side"If I Only Had the Words (To Tell You)"
ReleasedApril 1974
Recorded1973
Length5:35
LabelColumbia
SongwriterBilly Joel
ProducerMichael Stewart
Billy Joel singles chronology
"Travelin' Prayer"
(1974)
"The Ballad of Billy the Kid"
(1974)
"The Entertainer"
(1975)

"The Ballad of Billy the Kid" is a song by American singer-songwriter Billy Joel from the album Piano Man. It was also issued as a single in the UK backed with "If I Only Had The Words (To Tell You)".[1]

Artistic license

The song is Joel's fictionalized version of the story of Billy the Kid. In an interview from 1975, Joel admitted, "Basically [the song] was an experiment with an impressionist type of lyric. It was historically totally inaccurate as a story."[2]

Examples of these inaccuracies include when Joel sings that Billy the Kid was "from a town known as Wheeling, West Virginia" and that "he robbed his way from Utah to Oklahoma".[3] The real Billy the Kid never robbed a bank and although his birthplace is uncertain, no account suggests that he was from West Virginia. The song also says that Billy the Kid was captured and hanged, with many people attending the hanging; in reality, he was shot and killed by Pat Garrett.[4]

Background

In the last verse of the song, the lyrics switch from Billy the Kid to a "Billy" from Oyster Bay, Long Island.[5] The writer Ken Bielen has interpreted the "Billy" in the final verse as being a portrait of Billy Joel himself since Joel was from Oyster Bay.[5] However, in the liner notes to his album Songs in the Attic Joel claims that the "Billy" in the final verse is not himself but rather a bartender who worked in Oyster Bay, by the name of Billy Nastri.[6]

In an interview, Billy Joel mentioned that this song was about "record company PR hype". The lyrics may have been inspired in part by the liner notes from his earlier two-man album Attila, which go on and on about the historic Attila the Hun, and then conclude, "Attila – the hottest band to come along since the Huns sacked Europe".

Influences

According to one of Joel's unofficial biographers, Hank Bordowitz, the instrumentation of "The Ballad of Billy the Kid" has details reminiscent of the composers Aaron Copland and Ennio Morricone.[7] Copland himself wrote the music for a ballet titled Billy The Kid.

Live versions

The song was a concert staple from 1974–1979. In 1981, Joel's song was released in a live version on the album Songs in the Attic.[6] The live version was used as the B-side to the live single of "She's Got a Way".[8] Another live version of the song was released on Live at Shea Stadium: The Concert in 2011.[9] Still another live version was also included on Disc 1 of Joel's 12 Gardens Live album, issued in 2006.

Critical reception

Critical response to the song has been mixed. In The New Rolling Stone Album Guide, Paul Evans called "The Ballad of Billy the Kid" one of the "ambitious story songs" on Piano Man[10] and Dennis Hunt of The Los Angeles Times agreed that the song showed Joel's "knack for story songs".[11] But other critics have dismissed the song. For example, The New York Times critic Laura Sinagra called the song a "bombastic throwaway"[12] and Tom Phalen of The Seattle Times was also critical of the song, arguing that Joel's "outlaw" character doesn't match Joel's light, catchy "Marlboro Man melodies".[13] Bordowitz comments on the "interesting, if somewhat jejune parallel" in the lyrics between a teenage rebel in the 1800s American West and in the 1900s American suburbs.[7]

Pop culture reference

"The Ballad of Billy the Kid" is featured during the Family Guy episode "Dial Meg for Murder".

References

  1. ^ "Billy Joel – The Ballad Of Billy The Kid / If I Only Had The Words (To Tell You)". Discogs. 1974. Retrieved 2012-07-18.
  2. ^ "The Ballad Of Billy The Kid by Billy Joel". ZigZag. 1975. Retrieved March 11, 2018 – via songfacts.com.
  3. ^ Joel, Billy. "The Ballad of Billy the Kid". Piano Man. Columbia Records, 1973.
  4. ^ Joel, Billy (2016). Billy Joel Channel. Sirius XM Radio.
  5. ^ a b Bielen, K. (2011). The Words and Music of Billy Joel. ABC-CLIO. p. 25. ISBN 9780313380167.
  6. ^ a b Joel, Billy (1981). Songs in the Attic (LP). Billy Joel. New York: Columbia Records. TC 37461.
  7. ^ a b Bordowitz, H. (2006). Billy Joel: The Life & Times of an Angry Young Man. Random House. pp. 75, 202. ISBN 9780823082483.
  8. ^ "Billy Joel – She's Got A Way / The Ballad Of Billy The Kid". Discogs. 1981. Retrieved 2012-07-18.
  9. ^ Erlewine, S.T. "Live at Shea Stadium: The Concert". Allmusic. Retrieved 2012-07-18.
  10. ^ Evans, P. (2004). Brackett, N.; Hoard, C. (eds.). The New Rolling Stone Album Guide (4th ed.). Simon and Schuster. p. 434. ISBN 9780743201698.
  11. ^ Hunt, D. (January 10, 1987). "Billy Joel Keeps His Cool Despite Success as a Rock Star". The Vindicator. p. 20. Retrieved 2012-07-18.
  12. ^ Sinagra, L. (January 24, 2006). "At Garden, Billy Joel Is Out to Prove He's in Control". New York Times. Retrieved 2012-07-18.
  13. ^ Phalen, T. (November 26, 1993). "An Ode To Billy Joel -- 'River Of Dreams' Tour Is Turning Point For Once-Angry Pop Star". The Seattle Times. Retrieved 2012-07-18.

Source: History.com

1859

Billy the Kid born

The infamous Western outlaw known as “Billy the Kid” is born in a poor Irish neighborhood on New York City’s East Side. Before he was shot dead at age 21, Billy reputedly killed 27 people in the American West.

Billy the Kid called himself William H. Bonney, but his original name was probably Henry McCarty. Bonney was his mother Catherine’s maiden name, and William was the first name of his mother’s longtime companion–William Antrin–who acted as Billy’s father after his biological father disappeared. Around 1865, Billy and his brother traveled west to Indiana with their mother and Antrin, and by 1870 the group was in Wichita, Kansas. They soon moved farther west, down the cattle trails, and in 1873 a legally married Catherine and William Antrin appeared on record in New Mexico territory. In 1874, Billy’s mother died of lung cancer in Silver City.

Billy soon left his brother and stepfather and took off into the New Mexico sagebrush. He worked as a ranch hand and in 1876 supposedly killed his first men, a group of reservation Apache Indians, in the Guadalupe Mountains. According to legend, it was not long before Billy killed another man, a blacksmith in Camp Grant, Arizona. Billy the Kid, as people began calling him, next found work as a rancher and bodyguard for John Tunstall, a English-born rancher who operated out of Lincoln, New Mexico. When members of a rival cattle gang killed Tunstall, in 1878, Billy became involved in the so-called Lincoln County War.

Enraged at Tunstall’s murder, Billy became a leader of a vigilante posse of “regulators” sent to arrest the killers. No arrests were made, however. Two of the murderers were shot dead by Billy’s posse, and a worsening blood feud soon escalated into all-out warfare. After Billy’s gang shot dead Lincoln Sheriff Bill Brady, who had sanctioned Tunstall’s murder, Billy’s enemies conspired with the territorial authorities to do away with the regulators.

In July 1878, the rival gang surrounded the house where Billy and his gang were staying just outside of town. The siege stretched on for five days, and a U.S. Army squadron from nearby Fort Stanton was called in. Still, Billy and his gang refused to surrender. Suddenly, the regulators made a mass escape, and Billy and several of the other regulators miraculously managed to shoot their way out of town.

After more than two years on the run, Billy was arrested by Lincoln Sheriff Pat Garrett, a man Billy had previously befriended before Garrett became a lawman. In April 1881, Billy was found guilty of the murder of Sheriff Brady and was sentenced to hang. On April 28, two weeks before his scheduled execution, Billy wrested a gun from one of his jailers and shot him and another deputy dead in a daring escape that received considerable national attention.

On the night of July 14, 1881, Garrett finally tracked Billy down at a ranch near Fort Sumner, New Mexico. He gained access to the house where Billy was visiting a girlfriend and then surprised him in the dark. Before the outlaw could offer resistance, Garret fired a bullet into his chest. Billy the Kid was dead at age 21.

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Contact John Fitzsimmons...and thanks!

The Wreck of the Edmund Fitzgerald

The Wreck of the Edmund Fitzgerald

Songs of the Sea & Fo’castle

The Wreck of the Edmund Fitzgerald

The Wreck of the Edmund Fitzgerald

by ~Gordon Lightfoot (sung by Fitz) | The American Folk Experience

~Gordon Lightfoot

The legend lives on from the Chippewa on down
Of the big lake they call Gitche Gumee
The lake, it is said, never gives up her dead
When the skies of November turn gloomy
With a load of iron ore twenty-six thousand tons more
Than the Edmund Fitzgerald weighed empty
That good ship and true was a bone to be chewed
When the gales of November came early

The ship was the pride of the American side
Coming back from some mill in Wisconsin
As the big freighters go, it was bigger than most
With a crew and good captain well seasoned
Concluding some terms with a couple of steel firms
When they left fully loaded for Cleveland
Then later that night when the ship’s bell rang
Could it be the north wind they’d been feelin’?

The wind in the wires made a tattle-tale sound
When the wave broke over the railing
And every man knew, as the captain did too
‘Twas the witch of November come stealin’
The dawn came late and the breakfast had to wait
When the gales of November came slashin’
When afternoon came it was freezing rain
In the face of a hurricane west wind

When suppertime came, the old cook came on deck
Saying, “Fellas, it’s too rough to feed ya.”
[Former version:] At seven PM a main hatchway caved in
[Latter version:] At seven PM it grew dark, it was then
He said, “Fellas, it’s been good to know ya.”
The captain wired in he had water comin’ in
And the good ship and crew was in peril
And later that night when his lights went out of sight
Came the wreck of the Edmund Fitzgerald

Does anyone know where the love of God goes
When the waves turn the minutes to hours?
The searchers all say they’d have made Whitefish Bay
If they’d put fifteen more miles behind her
They might have split up or they might have capsized
They may have broke deep and took water
And all that remains is the faces and the names
Of the wives and the sons and the daughters

Lake Huron rolls, Superior sings
In the rooms of her ice-water mansion
Old Michigan steams like a young man’s dreams
The islands and bays are for sportsmen
And farther below, Lake Ontario
Takes in what Lake Erie can send her
And the iron boats go as the mariners all know
With the gales of November remembered

[Former version:] In a musty old hall in Detroit they prayed
[Latter version:] In a rustic old hall in Detroit they prayed
In the Maritime Sailors’ Cathedral
The church bell chimed ’til it rang twenty-nine times
For each man on the Edmund Fitzgerald
The legend lives on from the Chippewa on down
Of the big lake they call Gitche Gumee
Superior, they said, never gives up her dead
When the gales of November come early

If you have any more information to share about this song or helpful links, please post as a comment. Thanks for stopping by the site! ~John Fitz

I am indebted to the many friends who share my love of traditional songs and to the many scholars whose works are too many to include here. I am also incredibly grateful to the collector’s curators and collators of Wikipedia, Mudcat.org, MainlyNorfolk.info, and TheContemplator.com for their wise, thorough and informative contributions to the study of folk music. 

I share their research on my site with humility, thanks, and gratitude. Please cite their work accordingly with your own research. If you have any research or sites you would like to share on this site, please post in the comment box.  Thanks!

"The Wreck of the Edmund Fitzgerald"
Single by Gordon Lightfoot
from the album Summertime Dream
B-side"The House You Live In"
ReleasedAugust 1976
RecordedDecember 1975
StudioEastern Sound Studios, Toronto
Genre[1]
Length
  • 6:30 (album version)
  • 5:57 (single edit)
LabelReprise
SongwriterGordon Lightfoot
Producers
Gordon Lightfoot singles chronology
"Rainy Day People"
(1975)
"The Wreck of the Edmund Fitzgerald"
(1976)
"Race Among the Ruins"
(1976)
Audio
"The Wreck of the Edmund Fitzgerald" on YouTube

"The Wreck of the Edmund Fitzgerald" is a 1976 folk rock ballad written, composed, and performed by the Canadian singer-songwriter Gordon Lightfoot to memorialize the sinking of the bulk carrier SS Edmund Fitzgerald in Lake Superior on November 10, 1975.

Appearing originally on his 1976 album Summertime Dream, Lightfoot re-recorded the song in 1988 for the compilation album Gord's Gold, Vol. 2. "The Wreck of the Edmund Fitzgerald" was a hit for Lightfoot, reaching number 1 in his native Canada in the RPM chart. In the US, it peaked at number 2 on the Billboard Hot 100 and reached number one on the Cashbox Top 100.

Following Lightfoot's death, the song had a new peak in popularity that same year, reaching number twenty on the Billboard magazine's Hot Rock & Alternative Songs chart in May 2023.

At an annual memorial service held each November by the Great Lakes Maritime Academy, a bell has been rung 29 times to honor the men lost on the Edmund Fitzgerald. In commemoration of Lightfoot's writing of the lyrics to the ballad, the memorial service now follows the commemoration bell count of: "29 for the lives lost that day back in 1975 on Lake Superior, once for all lives lost at sea, and once for singer Gordon Lightfoot, who wrote the ballad of the ship’s sinking".[2]

Composition

The song chronicles the final voyage of the Edmund Fitzgerald as it succumbed to an intense late-season storm and sank in Lake Superior with the loss of all 29 crewmen. Lightfoot drew inspiration from news reports he gathered in the immediate aftermath, particularly the article "The Cruelest Month" published in the November 24, 1975 issue of Newsweek.[3] Lightfoot could also draw upon his personal experience with recreational sailing on the Great Lakes.[4] Lightfoot himself considered this song to be his finest work.[5]

Recorded before the ship's wreckage had been studied, the song reflects some speculation about how the disaster transpired. In later interviews, Lightfoot recounted how he had agonized over possible inaccuracies while trying to pen the lyrics until his lead guitarist Terry Clements convinced him to do what Clements' favourite author Mark Twain would have advised: just tell a story.[6]

In March 2010, Lightfoot changed a line during live performances to reflect new findings about how the ship had foundered. The original words, "At 7 p.m. a main hatchway caved in; he said...", Lightfoot began singing as "At 7 p.m. it grew dark, it was then he said...." Lightfoot learned about the new findings when contacted for permission to use his song for a History Channel documentary that aired on March 31, 2010. Lightfoot stated that he did not intend to change the original copyrighted lyrics; instead, from then on, he simply sang the revised lyrics during live performances.[7] Lightfoot also changed the words "musty old hall" (referring to "the Maritime Sailors' Cathedral", in fact the Mariners' Church of Detroit) to "rustic old hall".[8]

SS Edmund Fitzgerald (1971)

Melody

The song follows 6
8
time with a straightforward arrangement described by Adam Perlmutter in Acoustic Guitar as "pretty simple—just five open shapes in the key of A major (sounding as B, due to a second-fret capo). Instead of an A chord (A C E), there’s an Asus2, a type of suspended triad in which the third (C) is replaced with the second (B). Then there’s the G6/A, or a G6 chord (G B D E) with an A as the lowest note, used only in the intro/interlude section".[9] The melody for the song was later adapted by Bobby Sands for his song "Back Home in Derry". When asked about the similarity and why he did not pursue copyright infringement, Lightfoot said that the melody was "just an old Irish folk song; an old Irish dirge. I think I took it from that. It's all folk music and it's all out there for everyone to enjoy."[10]

Lyrics

The song narrates the final and difficult journey of the Edmund Fitzgerald through the storm and the frantic moments before the shipwreck. The seven stanzas of the song are written with eight lines each, with the first line of the first stanza reading: "The legend lives on from the Chippewa on down". The lyrics were strongly inspired by the article "The Cruelest Month", which appeared on 24 November 1975 in Newsweek magazine, which in addition to reporting the disaster also illustrated the legends of the Ojibwe Native Americans (termed "Chippewa" by white Europeans) on Lake Superior, which are in fact mentioned in the song. A recurring theme of the song is the violence of the bad weather in the late autumn season on the Great Lakes in November, which would ultimately lead to the catastrophe of the Fitzgerald. For example, one of the central laments in the lyrics of the song speaks of the nearness of safe harbor in the presence of imminent disaster, stating:

Does any one know where the love of God goes
when the waves turn the minutes to hours?
The searchers all say they'd have made Whitefish Bay
if they'd put fifteen more miles behind her.

Lightfoot, unable to know exactly how the tragedy had unfolded, by his own admission took some artistic liberties in recounting the sequence of events, for example by describing a collapse of a hatchway prior to the wreck.[11] Over time Lightfoot made slight modifications to the lyrics as more information about the disaster became available.

During the following years the composer, who was surprised by the enormous success of the song, was open to rework the lyrics in light of new developments in the investigations into the disaster and the public's sensitivity.[11] Although he declared that he did not want to modify the original lyrics of the song officially, often during live performances Lightfoot varied some verses to "update" them or to meet the requests of the public and the families of the victims.[12] For example, in the original lyrics the church that commemorates the shipwreck is "a musty old hall"; after the complaints of a parishioner, Lightfoot changed the passage to "a rustic old hall". The song was written with no choruses, and no lyrical bridge or change of key; it was written without any lyrical intro or outro.

Production

The song was recorded in December 1975 at Eastern Sound,[13] a recording studio composed of two Victorian houses at 48 Yorkville Avenue in a then-hippie district of downtown Toronto. The studio was later demolished and replaced by a parking lot,[14] which has since been replaced with a garden, the Mist Garden.[15] Pee Wee Charles and Terry Clements came up with "the haunting guitar and steel riffs" during the evening session.[16] According to an article in The Toronto Star, the final version of "The Wreck of the Edmund Fitzgerald" was indeed the first take of the song, and it was the first time Lightfoot and his band had ever played it together, and the album's recording engineer, Kenny Frieson, fortunately decided to record the performance down on tape because the band was playing the song through for the first time. The band rehearsed other attempts at recording it for two weeks afterward, but they were unable to capture the magic of that initial, unrehearsed performance, so the first take was used for the recording. In an interview with the Detroit Free Press, bassist Rick Haynes recalled Lightfoot initially only thought "The Wreck of the Edmund Fitzgerald" to be a short, unfinished song, but it was recorded when they had studio time left for the Summertime Dream album.[17][18]

Chart success

Lightfoot's single version hit number 1 in his native Canada (in the RPM national singles survey) on November 20, 1976, barely a year after the disaster.[19] In the United States, it reached number 1 in Cashbox and number 2 for two weeks in the Billboard Hot 100 (behind Rod Stewart's "Tonight's the Night"), making it Lightfoot's second-most successful single, behind only "Sundown". Overseas it was at best a minor hit, peaking at number 40 in the UK Singles Chart.[20]

Canadian indie rock band Rheostatics recorded a cover of the song for their album Melville in 1991,[32] and included the song in their concerts to promote their 2025 album The Great Lakes Suite, though not included in the album release itself. Another cover of the song was done by the Indianapolis hard rock musicians Simon Bar Sinister in 1997 for Sage records which includes a lead guitar rock solo after the end of the fourth stanza; in the closing verses of the song the cymbals are intoned in the background 29 times at half-second intervals to honor the 29 dead sailors lost at sea.[33] The Cantus vocal ensemble did a pensive cover of the song in 2006 accompanied by acoustic guitar, cello and fife.[34] In 2018 the University of Michigan Men's Glee Club recorded a live performance of the song featuring a baritone soloist and accompanied by two acoustic guitars, cello and piano.[35] In 2019, the Canadian rock group Headstones covered the song and released a single of their cover.[36] The American band Punch Brothers did a cover of the song in 2022 with a solo tenor voice accompanied by a mandolin, fiddle, banjo, and acoustic guitar.[37] The song was covered in 2023 by the English folk group The Longest Johns with an associated music video.[38] The song was also covered in 2025 by the a cappella group Home Free with an associated music video.[39] American bluegrass artist Billy Strings performed a 12-minute cover of the song in August 2025 featuring a 3-minute extended instrumental introduction to the song played on acoustic guitar, and a second 4-minute acoustic guitar solo at the end of the fourth stanza.[40]

Although the lyrics of the song memorialize the 29 lives lost, since Lightfoot's death in 2023 the sinking has been commemorated with 31 rings of the memorial bell at the Great Lakes Maritime Academy: "29 for the lives lost that day back in 1975 on Lake Superior, once for all lives lost at sea, and once for singer Gordon Lightfoot, who wrote the ballad of the ship’s sinking."[2][41][42][43] Following the singer-songwriter's death, the song had a new peak in popularity that same year, reaching number twenty on the Billboard magazine's Hot Rock & Alternative Songs chart in May 2023.

Personnel

Original version from 1976 on Summertime Dream (5 min, 58 sec):

The 1987 version released on the 1999 Songbook album updated the Personnel notes for the re-recorded version (6 min, 28 sec):

  • Drums, Percussion: Barry Keane
  • Synthesizer: Gene Martynec
  • Guitar, Vocals: Gordon Lightfoot
  • Producer: Gordon Lightfoot
  • Drums: Jim Gordon
  • Engineer: Ken Friesen
  • Mixing Engineer: Lee Herschberg
  • Producer: Lenny Waronker
  • Pedal Steel Guitar: Pee Wee Charles
  • Bass Guitar: Rick Haynes
  • Acoustic Guitar: Terry Clements
  • Electric Guitar: Terry Clements
  • Writer: Gordon Lightfoot

See also

References

  1. ^ Person, James (January 1, 1998). "Gordon Lightfoot". In Knopper, Steve (ed.). MusicHound Lounge: The Essential Album Guide. Detroit: Visible Ink Press. p. 294.
  2. ^ a b "Edmund Fitzgerald memorialized with 31 rings of its bell at Great Lakes Maritime Academy". 910News.com. Archived from the original on August 17, 2024. Retrieved November 10, 2025.
  3. ^ Jennings, Nicholas (2016). Lightfoot. Viking. p. 148. ISBN 9780735232556. Retrieved May 3, 2023.
  4. ^ Weiss, William R. (1979). "This Goose Is Golden". Yachting. Archived from the original on March 30, 2024. Retrieved October 17, 2025 – via Lightfoot.ca.
  5. ^ DeYoung, Bill (March 2, 2010). "If You Could Read His Mind: A Conversation with Folk Music Legend Gordon Lightfoot". Connect Savannah. Archived from the original on March 7, 2010.
  6. ^ Casey, Chris (November 10, 2000). "25 Years Later, Lightfoot Content with Popularity of Fitzgerald Ballad". Chicago Tribune. Retrieved August 31, 2023. [Clements] said Mark Twain would say, 'Tell a story'.
  7. ^ Stevenson, Jane (March 26, 2010). "Lightfoot Changes 'Edmund Fitzgerald' Lyric". Toronto Sun. Archived from the original on March 28, 2010. Retrieved May 5, 2023.
  8. ^ Balunda, George (November 2011). "Mariners' Church of Detroit". Hour Detroit. Retrieved April 20, 2011.
  9. ^ Perlmuter, Adam (September 22, 2023). "Learn to Play Gordon Lightfoot's "The Wreck of the Edmund Fitzgerald"". Acoustic Guitar. Retrieved November 5, 2025.
  10. ^ "Gordon Lightfoot & Bobby Sands | Bobby Sands Trust".
  11. ^ a b Heather Sparling, Disaster Songs as Intangible Memorials in Atlantic Canada, New York, Taylor & Francis, 2023, ISBN 978-1-032-11120-9.
  12. ^ Heather Sparling, Disaster Songs as Intangible Memorials in Atlantic Canada , New York, Taylor & Francis, 2023, ISBN 978-1-032-11120-9.
  13. ^ "Album Recording Notes". Lightfoot!. Retrieved October 23, 2016.
  14. ^ "Recording Studios used in Toronto: Eastern Sound". Bruce Cockburn & Toronto: A Historical Tour. Retrieved October 23, 2016.
  15. ^ "Yorkville Avenue Plaque Walk: Exploring Yorkville's rich history through heritage plaques". ArcGIS Story Maps. Maximum City. Retrieved November 23, 2025. The Mist or 'Rose' Garden in front of the Four Seasons Residences is the former site of the Eastern Sound Studio.
  16. ^ Charles, PeeWee (November 10, 2012). "Wreck of the Edmund Fitzgerald....37 years ago today!!". The Steel Guitar Forum. Retrieved October 23, 2016.
  17. ^ https://www.thestar.com/entertainment/music/no-chorus-no-problem-the-improbable-story-behind-gordon-lightfoots-beloved-hit-the-wreck-of/article_99885686-2a9d-4d04-b9c0-4f3e1ce437ac.html
  18. ^ https://www.freep.com/story/entertainment/music/brian-mccollum/2025/11/09/wreck-edmund-fitzgerald-gordon-lightfoot-anniversary/87125454007/
  19. ^ a b "Item Display. RPM". Library and Archives Canada. Archived from the original on October 15, 2012. Retrieved August 18, 2010.
  20. ^ "Official Singles Chart Top 50: 23 January 1977 - 29 January 1977". Official Charts Company. Retrieved November 26, 2016.
  21. ^ Kent, David (1993). Australian Chart Book 1970–1992. Australian Chart Book. ISBN 0-646-11917-6.
  22. ^ "RPM Adult Contemporary - Volume 25, No. 26". Library and Archives Canada. July 17, 2013. Retrieved November 6, 2024.
  23. ^ "RPM Country Singles - Volume 26, No. 6". Library and Archives Canada. July 17, 2013. Retrieved November 6, 2024.
  24. ^ "Gordon Lightfoot Chart History (Hot 100)". Billboard. Retrieved November 6, 2024.
  25. ^ "Gordon Lightfoot Chart History (Adult Contemporary)". Billboard. Retrieved November 6, 2024.
  26. ^ "Gordon Lightfoot Chart History (Hot Country Songs)". Billboard. Retrieved November 6, 2024.
  27. ^ "Cash Box Top Singles - 1976". Tropicalglen.com. December 20, 1963. Archived from the original on March 4, 2016. Retrieved February 23, 2017.
  28. ^ "Gordon Lightfoot Chart History (Hot Rock & Alternative Songs)". Billboard. Retrieved November 19, 2025.
  29. ^ "Top Singles – Volume 26, No. 14 & 15, January 08 1977". RPM. Library and Archives Canada. Archived from the original on March 19, 2016. Retrieved June 13, 2016.
  30. ^ Whitburn, Joel (1999). Pop Annual. Menomonee Falls, Wisconsin: Record Research Inc. ISBN 0-89820-142-X.
  31. ^ "The CASH BOX Year-End Charts: 1976; TOP 100 POP SINGLES (As published in the December 25, 1976, issue)". Archived from the original on August 25, 2012. Retrieved June 5, 2016.
  32. ^ Rheostatics . Cover for "The Wreck of Edmund Fitzgerald". 1991. [1]
  33. ^ Simon Bar Sinister. Cover for "The Wreck of Edmund Fitzgerald". 1999. Sage Records. [2]
  34. ^ Cantus (vocal ensemble). Cover for "The Wreck of Edmund Fitzgerald". 2006. [3]
  35. ^ University of Michigan Men's Glee Club. Cover for "The Wreck of Edmund Fitzgerald". 2018. [4]
  36. ^ Headstones (band). Cover for "The Wreck of Edmund Fitzgerald". 2019. [5]
  37. ^ "The Wreck of the Edmund Fitzgerald." Punch Brothers. 2022. Boston, Mass. [6]
  38. ^ "The Wreck of the Edmund Fitzgerald". The Longest Johns. February 2023. [7]
  39. ^ "The Wreck of the Edmund Fitzgerald". Home Free. October 2025. [8]
  40. ^ Billy Strings. "The Wreck of the Edmund Fitzgerald". August 2025
  41. ^ "Detroit Church Broadens Its Scope Marking Edmund Fitzgerald Anniversary". USA Today. Associated Press. November 13, 2006. Retrieved January 18, 2011.{{cite news}}: CS1 maint: deprecated archival service (link)
  42. ^ Bulanda, George (November 2010). "Great Mariner's Church Remembers Edmund Fitzgerald on 35th Anniversary of Sinking". Hour Detroit. ISSN 1098-9684. Archived from the original on November 6, 2010. Retrieved November 8, 2010.
  43. ^ Mackay, Hannah (May 2, 2023). "Great Lakes Shipwreck Historical Society Pays Tribute to Gordon Lightfoot". The Detroit News. Archived from the original on May 5, 2023. Retrieved May 4, 2023.

Further reading

Rauch, Alan (June 2023). "'Fellas, it's Been Good to Know You': Gordon Lightfoot's Edmund Fitzgerald". The Newsletter of the Charlotte Folk Society. 28 (6): 4.

Source: Songfacts.com

The Wreck of the Edmund Fitzgerald

  • This is a factual retelling of a shipwreck on Lake Superior in November 1975 that claimed the lives of 29 crew members. On November 10, 1975, the S.S. Edmund Fitzgerald broke in half and sunk in Lake Superior. The storm she was caught in reported winds from 35 to 52 knots, and waves anywhere from 10 to 35 feet high.

    She was loaded with 26,116 tons of taconite pellets at the Burlington Northern Railroad, Dock #1. Her destination was Zug Island on the Detroit River. There were 29 crew members who perished in the sinking.

  • In the US, this was held out of the #1 spot by Rod Stewart’s “Tonight’s The Night.”
  • This was nominated for the Song of the Year Grammy, but it was beaten by Barry Manilow’s “I Write The Songs.” >>
  • Paul Gross hoped to use this tune for his episode of the TV show Due South, “Mountie on the Bounty.” He discreetly tried to secure the rights to use the song, but out of respect for the families who wished not to be reminded of the tragedy he didn’t pursue the option aggressively. He instead wrote the similarly themed song “32 down On The Robert MacKenzie.” >>
  • Ohio-based Great Lakes Brewery produces a beer called Edmund Fitzgerald Porter. >>
  • In 1970, baseball commissioner Bud Selig’s co-founding partner in the Brewers was fellow Milwaukee businessman Edmund B. Fitzgerald, a patron of Milwaukee arts and civic projects, and the son of a family that owned Great Lakes shipyards. In 1958, the freighter SS Edmund Fitzgerald was named for Edmund B.’s father. Fitzgerald later became a professor at Vanderbilt University.
  • An initial investigation suggested that the crew was partly to blame for the disaster by not securing the ship’s hatches. Lightfoot’s song reflected the original findings in the verse, “…at 7 p.m. a main hatchway gave in.” However, in 2010 a Canadian documentary claimed to have proven the crew of the ship was not responsible for the tragedy. It concluded that there is little evidence that failure to secure the ship’s hatches caused the sinking.

    Lightfoot said he intended to change it to reflect the new findings. “I’m sincerely grateful to yap films and their program The Dive Detectives for putting together compelling evidence that the tragedy was not a result of crew error,” he said in a release. “This finally vindicates, and honors, not only all of the crew who lost their lives, but also the family members who survived them.”

  • Lightfoot recalled the story of the song during a Reddit AMA: “The Edmund Fitzgerald really seemed to go unnoticed at that time, anything I’d seen in the newspapers or magazines were very short, brief articles, and I felt I would like to expand upon the story of the sinking of the ship itself,” he said. “And it was quite an undertaking to do that, I went and bought all of the old newspapers, got everything in chronological order, and went ahead and did it because I already had a melody in my mind and it was from an old Irish dirge that I heard when I was about three and a half years old.”

    “I think it was one of the first pieces of music that registered to me as being a piece of music,” he continued. “That’s where the melody comes from, from an old Irish folk song.”

  • Lightfoot wrote the lyrics after coming up with the melody and chords. He recalled: “When the story came on television, that the Edmund had foundered in Lake Superior three hours earlier, it was right on the CBC here in Canada, I came into the kitchen for a cup of coffee and saw the news and I said ‘That’s my story to go with the melody and the chords.'”
  • In a 2015 interview with NPR’s Scott Simon, Gordon Lightfoot explained that the article he read in Newsweek about the tragedy was, “Short shrift for such a monumental event.” Lightfoot says the song came about when he discovered the newspaper writers kept misspelling the name of the ship, rendering it as “Edmond Fitzgerald” rather than “Edmund Fitzgerald.” Though he didn’t say whether or not the misspelling was deliberate, he was quoted as telling Scott, “That’s it! If they’re gonna spell the name wrong, I’ve got to get to the bottom of this!” >>
  • This is referenced in the Seinfeld episode “Andrea Doria,” when Elaine mistakenly believes Gordon Lightfoot was the name of the ship and Edmund Fitzgerald was the name of the singer. Jerry quips: “Yeah, and it was rammed by the Cat Stevens.”

Here is a cool video of the song with underwater footage…

Here is a history of the sinking of the Edmund Fitzgerald…

 

Performances, Workshops, Resources & Recordings

The American Folk Experience is dedicated to collecting and curating the most enduring songs from our musical heritage.  Every performance and workshop is a celebration and exploration of the timeless songs and stories that have shaped and formed the musical history of America. John Fitzsimmons has been singing and performing these gems of the past for the past forty years, and he brings a folksy warmth, humor and massive repertoire of songs to any occasion. 

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Lakes of Pontchartrain

Lakes of Pontchartrain

American Folk Songs & Ballads

 Lakes of Ponchartrain

The Lakes of Pontchartrain

by John Fitzsimmons | The American Folk Experience

~Traditional 

Twas on one bright March morning, I bid New Orleans adieu
And I took the road to Jackson town, my fortune to renew
I cursed all foreign money, no credit could I gain
Which filled my heart with longing for the lakes of Ponchartrain

I stepped on board of a railroad car beneath the morning sun
I rode the rods till evening and I laid me down again
All strangers, they’re no friends to me, till a dark girl towards me came
I fell in love with a creole girl by the lakes of Ponchartrain

I said, “Me pretty Creole girl, me money’s here no good
And if it weren’t for the alligators, I would sleep out in the woods”
“You’re welcome here, kind stranger, our house is very plain
And we never turned a stranger out on the banks of Ponchartrain”

She took me into her mammy’s house and treated me right well
Her hair upon her shoulders in jet black ringlets fell
To try to paint her beauty, I’m sure ‘twould be in vain
So handsome was my Creole girl by the lakes of Ponchartrain

I asked her if she’d marry me, she said this could never be
For she had got a lover and he was far ar sea
She said that she would wait for him and true she would remain
Till he returned to his Creole girl by the lakes of Ponchartrain

“So fare thee well, my bonny own girl, I never may see you more
But I’ll ne’er forget your kindness in this cottage by the shore
And at each social gathering, a flowing glass I’ll drain
And I’ll drink a health to me Creole girl by the lakes of Ponchartrain”

If you have any more information to share about this song or helpful links, please post as a comment. Thanks for stopping by the site! ~John Fitz

I am indebted to the many friends who share my love of traditional songs and to the many scholars whose works are too many to include here. I am also incredibly grateful to the collector’s curators and collators of Wikipedia, Mudcat.org, MainlyNorfolk.info, and TheContemplator.com for their wise, thorough and informative contributions to the study of folk music. 

I share their research on my site with humility, thanks, and gratitude. Please cite their work accordingly with your own research. If you have any research or sites you would like to share on this site, please post in the comment box.  Thanks!

Add links

"The Lakes of Pontchartrain" (Roud 1836) is a folk ballad from the United States about a man who is given shelter by a Louisiana Creole woman. He falls in love with her and asks her to marry him, but she is already promised to a sailor and declines. It is a tale of unrequited love.[1]

Setting

The song is named for and set on the shores of the major estuarine waterbodies of the Pontchartrain Basin,[2] including lakes Maurepas, Pontchartrain, and Borgne. Lake Pontchartrain forms the northern boundary of New Orleans, while Lake Maurepas is west of Lake Pontchartrain and connected to Lake Pontchartrain by Pass Manchac and North Pass. Lake Borgne is east of Lake Pontchartrain and connects to Lake Pontchartrain through the GIWW/IHNC, Pass Rigolets, and Chef Menteur Pass. Lake Borgne extends into Mississippi Sound and therefore is directly connected to the Gulf of Mexico.

Origins

The exact origin of the song is unknown, though it is commonly held to have originated in the southern United States in the 19th century. Ruth Smith explored the journey of the song in an RTÉ radio documentary in 2020. [1] This documentary traces the modern Irish version back, using the Roud index to a songbook entitled Songs and ballads from Southern Michigan[3] by Gardiner and Chickering. [1]

The liner notes accompanying Planxty's version state that the tune was probably brought back by soldiers fighting for the British or French armies in Louisiana and Canada in the War of 1812. Although the tune might date to that period, the popular lyrics undoubtedly came much later, since they tell of taking a railway train from New Orleans to Jackson Town. This was most likely to be the railway junction town of Jackson, Mississippi (named in honor of General Andrew Jackson), the capital of Mississippi. The line would have been the New Orleans, Jackson and Great Northern Railway—whose line, opened before the Civil War, included a pre-existing local line running north from downtown New Orleans along the shores of Lake Pontchartrain. Most likely, the lyrics date to the Civil War, and the reference to "foreign money" being "no good" could refer to either U.S. or Confederate currency, depending upon who was in control of the area at the time. It should also be noted that thousands of banks, during the civil war, issued their own bank notes, which could be rejected in various towns, depending on how trusted were the issuing bank. Also, the Confederacy and Union issued their own bank notes—as did individual States—leading to a proliferation of currency (notes and coinage) that might not be acceptable in a particular region.

Versions

Planxty and Paul Brady

The best-known versions of the song use the tune for "Lily of the West", especially the recordings by the Irish traditional musical group Planxty on Cold Blow and the Rainy Night in 1974 where they give Mike Waterson as their source, and by the Irish musician and songwriter (and sometime member of Planxty) Paul Brady on Welcome Here Kind Stranger in 1978. The 2002 release of a live recording of the songs from the aforementioned album, entitled The Missing Liberty Tapes, preserves a solo rendition of "The Lakes of Pontchartrain" from Brady's 1978 concert at Liberty Hall in Dublin. A new recording of "The Lakes of Pontchartrain" appears on his 1999 album Nobody Knows: The Best of Paul Brady. Brady has also recorded an Irish-language version of the song, as "Bruach Loch Pontchartrain", translated by Francie Mooney. Planxty member Christy Moore later recorded the song for his 1983 solo album The Time Has Come.

Other notable performers

Alternative lyrics and tunes

An alternative verse can be found in the Digital Tradition Folk Song Search.[citation needed] The tune, or a slight variation of it, is to be found in the Scots tradition accompanying the Border ballad Jock O'Hazeldean.[citation needed]

When this song made its way west, cowboys changed the title to "On the Lake of the Poncho Plains." The Creole girl became a Cree Indian and the Pontchartrain was changed to the Poncho Plains. The cowboy version is recorded in Singing Cowboy; A Book of Western Songs collected and edited by Margaret Larkin, c1931.

References

  1. ^ a b c Smith, Ruth (29 December 2020). "By the Lakes of Ponchartrain". RTE Radio. Retrieved 25 August 2023.
  2. ^ "The Pontchartrain Basin". lacoast.gov.
  3. ^ Emelyn Gardner & Geraldine Chickering. Ballads and Songs of Southern Michigan. Retrieved 25 August 2023.
  4. ^ "EDLIS Dylan Atlas". www.expectingrain.com.
  5. ^ https://www.nme.com/news/music/bob-dylan-performs-traditional-folk-ballad-for-first-time-in-34-years-3912106#
  6. ^ "Singing Taoiseach hits bum note as critics lap up 'Gargle-gate' in Galway". The Irish Times.
  7. ^ "Cowen: I was not drunk". Irish Examiner. September 15, 2010.
  8. ^ "Banjo-plucking Cowen is a real oil painting". independent. 30 September 2010.
  9. ^ "365 Days Of Folk: Song List". Retrieved 24 January 2026.

Source: Mainly Norfolk

The Lakes of Pontchartrain

Roud 1836 ; Laws H9 ; Ballad Index LH09 ; trad.]

Planxty sang The Lakes of Pontchartrain in 1974 on their album Cold Blow and the Rainy Night, the band’s member Christy Moore returned to it nine years later on his 1983 solo album The Time Has Come. He commented in the sleeve notes of his 2001 album This Is the Day:

Mike Waterson from North Yorkshire taught me The Lakes of Pontchartrain in 1967 and now it is part of our National repertoire.

Martin Simpson sang this as The Lakes of Ponchartrain in 1985 on his Topic album Sad of High Kicking. This track was also included in his anthologiesThe Collection (2002) and The Definitive Collection (2004). He re-recorded this song in 2011 for his Topic CD Purpose and Grace where he commented in the liner notes:

[…] I learned it from the Cajun bluegrass band The Louisiana Honeydrippers, who made one excellent record for Arhoolie in the 1960s. Having lived in New Orleans, I felt qualified to revisit the song with a different feel. Thousands of Irish emigrants ended up in New Orleans. The city has a great Irish culture and heritage. The levees and drainage ditches which stop the city being inundated were largely built by Irish labour. Ten thousand Irish died during the construction and their memorial is a small Celtic cross on the meridian of an Uptown New Orleans road. When the Civil War broke out, the Union Navy sailed up the Mississippi and took New Orleans, the young Irishman in the song fled north through the swamps. There is so much history in the few verses of a folk song.

In this video Martin Simpson sings The Lakes of Ponchartrain at the fRoots 30th birthday Frootsnanny at London’s Roundhouse in January 2010:

Jon Boden sang The Lakes of Pontchartrain as the March 1, 2011 entry of his project A Folk Song a Day. He gave Planxty as his source and commented that it was

Possibly the first song I ever learnt, probably aged about 14. Attracted by the alligator line I think. Sung a lot in Irish sessions.

Lyrics

Martin Simpson sings The Lakes of Ponchartrain

Through streams and bogs and under bush, I’d made my weary way,
Though windfalls thick and devil’s floods my aching feet did stray.
Until at last by evening start on higher ground I gained
And there I met with a Creole girl by the Lakes of Ponchartrain.

“Good evening to you, Creole girl, my money is no good,
Although I fear the ‘gators, well I must defend the wood.”
“You are welcome here, kind stranger, my house is very plain
But we never turn a stranger out on the Lakes of Ponchartrain.”

She took me to her mammy’s house, she treated me right well,
The hair around her shoulders, in them jet black ringlets fell.
I’d try to describe her beauty but I find the words in vain,
So beautiful that Creole girl by the Lakes of Ponchartrain.

Well I asked if she’d marry me, she said that could not be,
Because she loved a sailor and he’s far away at sea.
She said that she would marry him and true she would remain,
Even through he never did come back to the Lakes of Ponchartrain.

So farewell, farewell you Creole girl, I’ll ne’er see you no more,
I’ll ne’er forget your kindness in the cottage by the shore.
And at each social gathering a flowing glass I’d drain
And I drink a health to the Creole girl by the Lakes of Ponchartrain.

Jon Boden sings The Lakes of Pontchartrain

It was on one fine March morning I bid New Orleans adieu
And I took the road to Jackson my fortune to renew.
I cursed all foreign money, no credit could I gain,
Which filled my heart with longing for the Lakes of Pontchatrain.

I stood on board of the railroad car beneath the morning sun,
I rode the runs till evening and I laid me down again.
All strangers there, no friends to me till a dark girl towards me came
And I fell in love with a Creole girl by the Lakes of Pontchatrain.

I said, “My pretty Creole girl, my money here’s no good.
If it weren’t for the alligators I’d sleep out in the wood.”
“Oh, you’re welcome here, kind stranger, our house is very plain
But we never turn a stranger out from the Lakes of Pontchatrain.”

She took me into her mammy’s house and she treated me quite well,
The hair upon her shoulders in jet black ringlets fell.
To try and paint her beauty I’m sure ‘twould be in vain,
So handsome was my Creole girl by the Lakes of Pontchatrain.

So it’s fare thee well, my bonny girl, I never shall see you more,
I’ll ne’er forget your kindness in the cottage by the shore.
And at each social gathering a glass of wine I’ll drain
And I’ll drink a health to the Creole girl by the Lakes of Pontchatrain.

Aiofe O’Donovan sings a beautiful version…

Performances, Workshops, Resources & Recordings

The American Folk Experience is dedicated to collecting and curating the most enduring songs from our musical heritage.  Every performance and workshop is a celebration and exploration of the timeless songs and stories that have shaped and formed the musical history of America. John Fitzsimmons has been singing and performing these gems of the past for the past forty years, and he brings a folksy warmth, humor and massive repertoire of songs to any occasion. 

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Songs of the Sea

Songs of the Sea

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“Beneath the friendly charisma is the heart of a purist gently leading us from the songs of our lives to the timeless traditional songs he knows so well…”

 

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Songs of the Sea & Fo’castle

The American Folk Experience is dedicated to collecting and curating the most enduring songs from our musical heritage.  Every performance and workshop is a celebration and exploration of the timeless songs and stories that have shaped and formed the musical history of America. John Fitzsimmons has been singing and performing these gems of the past for the past forty years, and he brings a folksy warmth, wry humor and massive repertoire of songs to any occasion. 

Festivals & Celebrations —Coffeehouses —School Assemblies — Library Presentations —Songwriting Workshops —Artist in Residence — House Concerts —Pub Singing — Irish & Celtic Performances —Poetry Readings — Campfires —Music Lessons —Senior Centers —Voiceovers & Recording

Songs of the Sea

Remembered Songs Passed through Time…

 

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because life ain’t hard it’s just a waterfall.

The Emperor’s New Clothes

"But he hasn't got anything on!" the whole town cried out at last. The Emperor shivered, for he suspected they were right. But he thought, "This procession has got to go on." So he walked more proudly than ever, as his noblemen held high the train that wasn't there at...

What Christmas Is

  I am not sure what Christmas really is anymore. I am almost afraid to think of what Christians are going through in the lands of the original Christian faith. By dint of place and time, I grew up in the Catholic faith, and try as I might, I can’t ever escape the...

Busy…

The start of the school year, and I have literally spent every free moment working on what is ostensibly pretty cool stuff, methinks...but it is work in every sense of the word, so I do miss those long summer mornings when  could literally write to my heart and heads...

Kampuchea

I stutter for normality across the river from black men fishing for kibbers and horned pout. Barefoot children rounded bellies curled navels stalk the turtle sunning on a log. lonely in the field grass lonely on the curbstones I stutter for normality. Not a mother...

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Chores

The day sometimes slip away from me, a huge pine half-bucked in the backyard, the kids old tree fort cut into slabs, a ton of coal waiting to be moved in a train of buckets to the bin. Sipping cold water on the back deck, sharpening the dulled teeth of a worn...

Dallas: 7/7/2016

I woke up this morning almost too fearful to read the news. I stayed up late into the night just watching for the breaking stories and updates. Now, I am simplyconfused about how to act. I feel incredibly small and pointless, unsure of where I stand and how to move...

The Right Side of the Inevitable

  Like birds of a feather, we gather together, 'Cuz they're feeling exactly like you... ~John Prine   I am not afraid of being a white minority. I had lunch today with a Jamaican drummer, a Ugandan farmer, and a Senagalese potter. I don’t say this out of...

Crows & Swallows Release

There is seldom a red-carpet celebration when a book of poetry is released, so I will keep this a quiet and humble affair. My newest book of poetry, “Crows & Swallows” is now on iBooks, so fresh you can almost smell the ink. My business model is unchanged: It is a...

Waiting for a Poem

  It’s not like a poem to come curl by my feet on this morning too beautiful to describe, though I am looking and listening and waiting: A rooster crows above the low hum of morning traffic; the trash truck spills air from brakes and rattles empties into bins; my...

The Gift Unclaimed

I have an old lobster buoy Hanging dully from A wrought-iron basket hook— A rough cutaway Filled with suet, Clabbered in wire mesh. . I had imagined chickadees Squabbling with angry jays And occasional sparrows, finches— Maybe even cedar waxwings tired of scrounging...

A Redemptive Moment

I see the clock ticking towards 7:00. The kids are deep in their weekday world of homework, juggling soccer balls around the house, watching TV, but I am in my “got to rally” and get to the inn mode that happens very Thursday. Tonight I am tired. I’ll admit it, but...

The Street I Never Go Down

As is often the case, I sit here with good intent to write my end-of-term comments--a dry litany of repeated phrases dulled by. obligation--and find myself instead writing poetry, the stuff I would rather share with my students who already know that I care dearly...

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Raccoon

I’ve stopped the chinks with newspaper and rags wedged tightly against the wind blowing cold three days now. I feed the fire and curse its hissing and steaming mixing green oak with sticks of dried pine calling myself Raccoon grown fat in the suburbs sleeping in...

The Nagging Thing

Not many more nights like this, warm enough to sit outside on the back porch. The kids and Denise long asleep. Usually, during the school year, this is my "time" to catch up on schoolwork--grading, posting the assignments for the week and playing the general catchup...

Moby Dick: Chapters 42-51

A literary reflection to my students... The lowering for whales, the appearance of Fedallah's crew, the vivid descriptions of the first chase in a sudden and unrelenting gale, the fatalistic joy of resigning oneself to fate, the awesome poetic intensity of Melville's...

Paris: 11/13/15

It is a sad day for humanity. Another sad day on top of many others happening every day--many in places we hear about only obliquley and sometimes not at all. Paris is that much closer to home for most of us here and in Europe, but freedom and tolerance has to...

Nurture Passion

How about we all take the bull by the horns and make this blog thing work! Your job this week is to do something with your blog that is powered by the passion that is in you. Passion is the one thing you have some control over. There are plenty of smarter, more...

Writing Iambic Dimeter Poetry

I am sitting here realizing how hard it is to ask you--a bunch of fifteen-year-old boys--to write iambic dimeter poetry, a form of poetry that is more or less ignored nowadays. I (literally) played around for a couple of hours penning these poems, which are at least...

A Different Kind of Classroom

I have been teaching, writing, playing and performing for over thirty-five years, while during these last ten years I have been given the time and space and support (and funds) to create a classroom and pedagogy that through stops and starts and a deliberate evolution...

The Blathering of Teachers

To succeed, jump as quickly at opportunities  as you do at conclusions. ~Benjamin Franklin             Maybe we are born more to ignore than to listen. I understand too well how easy it is to ignore the blatherings of teachers. I was a master of it once myself, so why...

Wrenching Day

It has certainly been a long time since wisdom ruled the day. I did get up and run in the rain, and now I am preparing to do some “wrenching” on my motorcycle. I am trying to temper my eagerness to ride with my desire to get everything “right” on the bike--without...

Concord

The people, the music filledness of rush hour traffic skirting puddles work crews packing in laughswearingmudyellowed slickers lighting candle bombs. My sadness the euphoric detachment. I love this town. It breathes me.

The Shapes of Stories

While I have always been a storyteller of sorts, I am not much of a writer of stories--but I have always been intrigued by the relative simplicity at the core design level of most books and movies. A lot of it is tied to my love for Joseph Campbell's work on the...

You Are All a Bunch of Punks

Poetry without form is like tennis without a net. ~Robert Frost       Free verse poetry is not, as many assume, poetry without rules. It is a measured and thoughtful crafting of an idea into lines, spaces, and breaks intentionally and willfully crafted to heighten and...

Many Miles To Go

I see it in your eyes
and in the ways you try to smile;
in the ways you whisper—I don’t know—
and put it all off for a while;
then you keep on keeping on
in the only way you know:
you’re scared of where you’re going
and who’ll catch you down below.

Wisdom

Wisdom starts in non-action… The doing and non-doing are the equal balance. Without the luxury of contemplation there would not be a prioritizing of need versus want. Wisdom balances physical reality… Wisdom does not shuffle tasks out of view but finds a way to...

Thanksgiving

Thanksgiving   I am surprised sometimes by the suddenness of November: beauty abruptly shed to a common nakedness— grasses deadened by hoarfrost, persistent memories of people I’ve lost. It is left to those of us dressed in the hard barky skin of experience to...

Close Your Eyes and See

      A lot of things in life fall short of the mark, but thoughtfulness has never let me down. For some forty years I have faithfully kept journals of the wanderings of my mind—most of which is lost in some way or another, but the effect hangs on like a sailor...

The Teacher’s Couch

It’s not just a couch; it’s a sofa, too ~Fitz           I remember my first year teaching at Fenn—and it was really my first stint as a true worker with responsibilities outside of what I already had in my wheelhouse—and on this day, some twenty something years ago, I...

Ginny

I always had in my mind a song about a woman named Ginny who lives (or lived) on an island off the coast of Maine. I want her to somehow represent someone who is willing to wait for something to return to her. What that something is I am not really sure. I was hoping...

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When the same thing happens again

I wonder if God is testing me, giving Me some affable warning Or, perhaps, a more Stern rebuke, replaying A foolish mistake, Rehashing and reminding me Of a harsher possibility. It is only a small 10 mm wrench tightening A loose bolt on the throttle body, slipping...

Thanksgiving

I am surprised sometimes by the suddenness of November: beauty abruptly shed to a common nakedness— grasses deadened by hoarfrost, persistent memories of people I’ve lost. It is left to those of us dressed in the hard barky skin of experience to insist on a decorum...

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American Folksongs and Ballads

American Folksongs and Ballads

Explore America’s Folksongs…

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