“A masterful weaver of songs whose deep, resonant voice rivals the best of his genre…”

Spirit of Change Magazine

“Beneath the friendly charisma is the heart of a purist gently leading us from the songs of our lives to the timeless traditional songs he knows so well…”

 

Globe Magazine

The Ancient Ballads

The American Folk Experience is dedicated to collecting and curating the most enduring songs from our musical heritage.  Every performance and workshop is a celebration and exploration of the timeless songs and stories that have shaped and formed the musical history of America. John Fitzsimmons has been singing and performing these gems of the past for the past forty years, and he brings a folksy warmth, wry humor and massive repertoire of songs to any occasion. 

Festivals & Celebrations —Coffeehouses —School Assemblies — Library Presentations —Songwriting Workshops —Artist in Residence — House Concerts —Pub Singing — Irish & Celtic Performances —Poetry Readings — Campfires —Music Lessons —Senior Centers —Voiceovers & Recording

Ancient Ballads

Remembered Songs Passed through Time…

It is fine and rare night in a pub when a napkin with a song request is passed up to the stage, and I read the scrawled words and see the like of “Barbara Allen,” “The House Carpenter” or “Mattie Groves.”  For me it is like being given the go signal to move in a new direction, to take tar audience on a new journey down a road or river few of them have ever travelled—the road of the ancient ballads. The ancient ballads, as remembered and sung by the early colonists have their roots in the deepest—and often the darkest—recesses of in what is now Europe and Scandinavia. These ballads, while simple in structure and melody, are charged with an emotionally complex underlayment that has somehow managed to keep these songs alive in spite of the diaspora of moving to and settling in to a new world.

In my own recordings of The Ancient Ballads, I have tried to keep things simple—as simple as the ancient times dictated. Oftentimes, even the faint strum of a guitar seems more distractive than attractive; but, that is for you to decide.

This initial compilation of old ballads, is simply a scratching at the surface of the ballad tradition, but these are the ballads I know best; hence it seems like the best place to start.

And maybe for you, too…

Explore The Ancient Ballads…

More from John Fitzsimmons…

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“When the eyes rest on the soul…that’s Fitzy…”

Lenny Megliola

WEEI Radio

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I, on my side, require of every writer, first or last, a simple and sincere account of his own life, and not merely what he has heard of other men's lives; some such account as he would send to his kindred from a distant land... ~Henry David Thoreau, Walden I’ve...

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Jesse calls up this morning—
“You can come downstairs now;
You see the grapefruit bowl?
Well, I fixed it all;
I fixed everything for you.”

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“Let me help you make the coffee,
Momma says you drink it too.
I can’t reach the stove,
But I can pour it, though—
What’s it like living alone?”

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Black Pond is not as deepas it is dark, dammedsome century agobetween ledges of granite and an outcropping of leaning fir, huckleberry, and white pine. For years I have paddled and trolled;swam, fished, sailed and sometimessimply tread water in the night trying to...

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Leave the fog stillness
of a cold harbor town;
cup our hands
in the warm diesel sound—
leave while the children
are calmed in their dreams
by light buoys calling:
“Don’t play around me.”

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Come on over here
and I’ll buy the next round:
cold beer and some shooters
for the boys on the town;
Darby ain’t drinkin’
so let’s live it up
‘cause he’ll drive us all home
in his company truck

Jesus Christ, Jimmy,
man you say that you’re well;
I say we drive into Boston
and stir up some hell;
put a cap on the weekend,
a stitch in the night,
watch the Pats play on Sunday
and the welterweight fight.

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there ain’t any more;
that’s why we’re standing here;
that’s what it’s for.
That’s why we all go on working all day
busting our ass for short pay:
~Hey…

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I see it in your eyes
and in the ways you try to smile;
in the ways you whisper—I don’t know—
and put it all off for a while;
then you keep on keeping on
in the only way you know:
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and who’ll catch you down below.

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I know your name. It’s written there.
I wonder if you care.
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Every day I stop by like I
Got some place I’ve got to go;
I’m buying things I don’t really need:
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Caught the corner of your eye.
But why, why can’t I try
To say the things I’ve got inside
To you ….

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