Winter in Caribou

Winter in Caribou

by John Fitzsimmons | Fires in the Belly

I know your name. It’s written there.
I wonder if you care.
A six-pack of Narragansett beer,
Some Camels and the brownie over there.
Every day I stop by like I
Got some place I’ve got to go;
I’m buying things I don’t really need:
I don’t read the Boston Globe.

But I, I think that I
Caught the corner of your eye.
But why, why can’t I try
To say the things I’ve got inside
To you ….

You’re new around here, but in a quiet way.
How long you gonna stay?
Your baby sleeps by the porno rack
And you car’s got Michigan plates.
Winter here’s a lonely time:
snow piles, and generally a pain.
I blew the tranny on my pickup truck,
So I’m driving that rusted-out Fairlane.

But I, I think that I
Caught the corner of your eye.
But why, why can’t I try
To say the things I’ve got inside
To you ….

Pretty soon, she knew my name;
She’d say, “Hey, John-O, how ya been?”
I’d bring her toys that I’d whittled up
To hang over our little baby friend.
I felt myself all changed up somehow,
And I worked like I’d never worked before,
Dropping trees and bucking logs,
All the while thinking of that store.

But I, I think that I
Caught the corner of your eye
But why, why can’t I try
To say the things I’ve got inside
To you ….

But it all ends up kinda’ like you think it might. I got all spiffed up and headed on over to the store. I get there a little later than I usually do. I’d been home whittling up this Canada goose— little thing with wings that flap, so we could hang it over the baby’s crib and she should slap at it—and it would look like it was flying.
Anyways, I get there and Frank is behind the counter reading one of them magazines, all of a sudden I felt myself getting real small, and kinda drifting away. I could hardly even hear him saying, “Yeah, that’s too bad about Carol. She was a real good girl. But I told her not to worry none, that there’s plenty of folks around looking for work, but it would be hard to find one just like herself. Fact is, John-O, she was waiting around here for you to show up; but seeing as how you were so late in coming, and that fellow she was with kinda looked like he wanted to get going, she just wrote down this here note for you. Asked if I’d give it to you here….”
“What’s she say, John-O?”
“Not much, Frank, It just says, …
Dear John-O. 
Thanks a lot for everything you did for me this winter. It really meant a lot to me, and I really do wish we could have gotten to known each other better. But life just takes quiet, crazy turns sometimes, and you never know.”

No address. Michigan somewhere, I guess.

So I stuck my head in a Field & Stream magazine so Frank wouldn’t see me. But, like all the folks around here, he knew. It just all seemed kinda weird: Frank, over there, behind the counter saying “Hey, John-O, check out this one over here….”

Damn, damn it I,
I had the corner of her eye.
But I…
I didn’t try.

 

Last of the Boys

Last of the Boys

by John Fitzsimmons | Fires in the Belly

Come on over here
and I’ll buy the next round:
cold beer and some shooters
for the boys on the town;
Darby ain’t drinkin’
so let’s live it up
‘cause he’ll drive us all home
in his company truck

Jesus Christ, Jimmy,
man you say that you’re well;
I say we drive into Boston
and stir up some hell;
put a cap on the weekend,
a stitch in the night,
watch the Pats play on Sunday
and the welterweight fight.

That’s all she wrote boys,
there ain’t any more;
that’s why we’re standing here;
that’s what it’s for.
That’s why we all go on working all day
busting our ass for short pay:
~Hey…

Wally there thanks
for the call yesterday;
Yeah, I do need the work
but those people can’t pay;
they’re all pie in the sky
with their heads in the clouds
the high-talking yahoos
that fill up this town.

Fill up this glass
one more time there old man;
sneak one for yourself
I know that you can.
Nick man come here;
come on tell me it’s true—
you won the college bowl pool
and the trifecta too.

That’s all she wrote boys,
there ain’t any more;
that’s why we’re standing here;
that’s what it’s for.
That’s why we all go on working all day
busting our ass for short pay:
~Hey…

Rogue what you say,
come on tell us the one
about the dog and the bull
and the ministers son;
you told it to Willy,
who told it to me,
who told the whole team
down the alley last week

Well it’s hard to believe
you’ve been married since June;
It seems just yesterday
we’d go piss at the moon—
piss at the moon
and somehow we’d get by
with a pocket of cash
and a piece of the sky.

That’s all she wrote boys,
there ain’t any more;
that’s why we’re standing here;
that’s what it’s for.
That’s why we all go on working all day
busting our ass for short pay:
~Hey…

It seems kind if strange
the quiet of the room,
everyone had to be
leaving so soon.
It seems kind of strange
they got families at home;
I’m the last of the boys
I’ll have one more alone.

One more rye Howie;
straight up is fine;
I’m okay to drive home,
I’ll just take my time;
keep all the change;
you treated us well;
I’m just trying to figure
if this is heaven or hell.

Heaven or hell
or some pitstop for man,
where we all just pull over
and do what we can;
you do what you can,
and you hope that your right:
I’m the last of the boys
to tie one on tonight.

That’s all she wrote boys,
there ain’t any more;
that’s why we’re standing here;
that’s what it’s for.
That’s why we all go on working all day
busting our ass for short pay:
~Hey…

Shane

Shane

by Jimmy O'Brien | Fires in the Belly

It’s been too long feeling sorry for myself.
It’s been too long with my life up on the shelf.
Sometimes wish that I was Shane—
shoot Jack Palance, and disappear again;
don’t have no one
don’t want no one
don’t miss no one:
living lonely with a saddle and a gun.

Some men just want to walk behind a plow.
Other men find a different way somehow.
Wish that I could be like Shane:
come this way once
and never come this way again;
don’t have no love
don’t want no love
don’t miss no love:
hell below and the stars above.

Shane, come back Shane.
Prairies dried up
it won’t rain.
You’re a technicolor cowboy I know
but I sure do hate to see you go.

Sometimes I look back and I wonder why
I can’t touch the ground or reach the sky.
Shane would come but he wouldn’t stay.
He’d empty his pistols and ride away;
don’t have no star
don’t want no star
don’t miss no star:
no destination is too far…

Chorus

It’s not easy living here this way.
I watch the sun come up and go down each day.
Sometimes it helps to ease the pain
to shout ‘Shane, come back Shane.’;
don’t have noone
don’t want noone
don’t miss noone:
not trying to undo what’s been done…

 

*Written by Jimmy O’Brien ©
(I’ve sung this song so much that it feels like a part of my life. Thanks, Jimmy!)

Somewhere North of Bangor

Somewhere North of Bangor

by John Fitzsimmons | Fires in the Belly

Somewhere north of Bangor
on the run from Tennessee.
Lost in back scrub paper land
in section TR-3.
It’s hit him he’s an outlaw
a Georgia cracker’s son,
who killed a man in Nashville
with his daddies favorite gun.
It’s hit him with the loneliness
of wondering where you are
on a long ago railway
stretched between two stars.

Two weeks shy of nineteen
in 1992
she got tickets with her girlfriends
for that new band coming through.
She got tickets for the show ,
she said—”go on and have a night on town.
I’ll meet you in the morning at
Frannie’s Coffee Ground;”
but she met a backstage roady
from that traveling country band,
and now it’s hard to slow the pain that grows
inside a hurtin’ man.
I took one of Joe’s old Rugers
and the law into my hand.

I borrowed Lance’s Mustang
and a Mobil credit card.
I drove every pot-holed backroad
they’ve got in Arkansas.
By now there was an all points
on a Georgia crackers son
who left on Sunday morning
with his daddies favorite gun.
I heard the church bells ringing, pleading,
pulling on my soul.
I almost turned back—I couldn’t bear to go.
Twenty years of praying
and doing what I was told.

They played three shows in Nashville
and Johnson City for a night.
Two air-brushed old greyhounds
under marquee neon lights.
I followed them to every show
until I found the man
with a tattoo of Geronimo
on the back of his right hand.
I asked him about a gal he met
at Saturday night’s show;
she says that you get kind of rough
and don’t understand no.
I thought that I’d find out myself
just if that be so.

I heard you like to think
you lead your life out on the edge.
You say the way we live our lives
we may as well be dead.
But now that you believe
that you’re the God of your own land
you’ve got to walk a higher road
than any other man.
You’ve got to toe a higher line
and somehow make it real;
you’ve got to learn in disregard
to think hard as you feel.
He pulled his knife,
I took his life—
you’ve got to pay for what you steal.

Now I’m somewhere north of Bangor
on the run from Tennessee.
Lost in back-scrub paper land
in section TR-3.
No more an outlaw
than a Georgia crackers son
you will not play the renegade
trapped or on the run;
and you love the strange wild loneliness
of knowing who you are—you love
the way the patterns lay
stretched between the stars;
you know that when they find you
they won’t know who you are.

Don’t Let Go of Your Soul

Don't You Ever Let Go of Your Soul

by John Fitzsimmons | Fires in the Belly

Sometimes yeah.
Sometimes no.
Sometimes it’s somehow somewhere in between.
Sometimes it’s somewhere that no one has been–
no, nobody, nowhere, no nothing can end.
So don’t you let go and hope you’ll find it again.
Don’t you ever let go–

Don’t you ever let go of your soul.
Don’t you ever let go of your soul.
Things they got ways
of slipping by unless you hold–
so don’t you ever let go
of your soul.

Sometimes, man I’d wish
there’d be snakes in the trees,
and I’d just keep this big space between them and me–
I’d say no way Jose’ that ain’t how I’ll be;
but between right and wrong there’s this large mystery;
it makes freedom so hard, so hard to be free.

Don’t you ever let go of your soul.
Don’t you ever let go of your soul.
Things they got ways
of slipping by unless you hold–
so don’t you ever let go
of your soul.

Sometimes when I hear that fate’s back in town,
and it’s working the strings of the prophets and clowns;
and you’re hung and you’re strung
and you’re brung and wore down,
and you hear, Fitz, man, don’t worry,
‘cuz here’s what we’ve found:
fate’s got a chance
when you’re soul’s out of town.

Don’t you ever let go of your soul.
Don’t you ever let go of your soul.
Things they got ways
of slipping by unless you hold–
you cannot; you should not;
don’t ever let go:
don’t you ever let go
of your soul….